The English philosopher Herbert Spencer (1820 - 1903) was a colossus of the Victorian age. His works ranked alongside those of Darwin and Marx in the development of disciplines as wide ranging as sociology, anthropology, political theory, philosophy and psychology. In this acclaimed study of Spencer, the first for over thirty years and now available in paperback, Mark Francis provides an authoritative and meticulously researched intellectual biography of this remarkable man that dispels the plethora of misinformation surrounding Spencer and shines new light on the broader cultural history of the nineteenth century. In this major study of Spencer, the first for over thirty years, Mark Francis provides an authoritative and meticulously researched intellectual biography of this remarkable man. Using archival material and contemporary printed sources, Francis creates a fascinating portrait of a human being whose philosophical and scientific system was a unique attempt to explain modern life in all its biological, psychological and sociological forms. Herbert Spencer and the Invention of Modern Life fills what is perhaps the last big biographical gap in Victorian history. An exceptional work of scholarship it not only dispels the plethora of misinformation surrounding Spencer but shines new light on the broader cultural history of the nineteenth century. Elegantly written, provocative and rich in insight it will be required reading for all students of the period.

The English philosopher Herbert Spencer (1820 - 1903) was a colossus of the Victorian age. His works ranked alongside those of Darwin and Marx in the development of disciplines as wide ranging as sociology, anthropology, political theory, philosophy and psychology. In this acclaimed study of Spencer, the first for over thirty years and now available in paperback, Mark Francis provides an authoritative and meticulously researched intellectual biography of this remarkable man that dispels the plethora of misinformation surrounding Spencer and shines new light on the broader cultural history of the nineteenth century. In this major study of Spencer, the first for over thirty years, Mark Francis provides an authoritative and meticulously researched intellectual biography of this remarkable man. Using archival material and contemporary printed sources, Francis creates a fascinating portrait of a human being whose philosophical and scientific system was a unique attempt to explain modern life in all its biological, psychological and sociological forms. Herbert Spencer and the Invention of Modern Life fills what is perhaps the last big biographical gap in Victorian history. An exceptional work of scholarship it not only dispels the plethora of misinformation surrounding Spencer but shines new light on the broader cultural history of the nineteenth century. Elegantly written, provocative and rich in insight it will be required reading for all students of the period.

Herbert Spencer: Legacies explores and assesses the impact of the ideas and work of the great Victorian polymath Herbert Spencer across a wide range of disciplines. In the course of the essays a significant re-evaluation of his influence on Victorian and Edwardian thought is provided. Spencer's contribution to the fields of sociology, anthropology, psychology, biology and ecology are considered, alongside his influence on key figures in science and philosophy. The book brings together scholars from a wide range of disciplines to explore Spencer's nuanced and complex ideas and will be invaluable for historians of science and ideas, and all those interested in the intellectual culture of the late Victorian and Edwardian period. Contributors: Peter J. Bowler, James Elwick, Mark Francis, Bernard Lightman, Chris Renwick, Vanessa L. Ryan, John Skorupski, Michael W. Taylor, Stephen Tomlinson, and Jonathan H. Turner

From the late 1950s to the late 1960s the word 'Pop' described any example of art, film, photography and architectural design that engaged with the new realities of mass production and the mass media. In addition to key artworks by Andy Warhol, Roy Lichtenstein, Ed Ruscha, Richard Hamilton and many others, this book includes works of photography and avant-garde film, as well as what the critic Reyner Banham defined as pop architecture, ranging from Alison and Peter Smithson's House of the Future to Archigram's Walking City and Robert Venturi and Denise Scott Brown's Learning from Las Vegas.
Edited by an internationally recognized expert on Pop art and culture, this book surveys Pop across all artforms and gives equal coverage to its American, British and European manifestations. Survey: renowned scholar and critic Hal Foster focuses on the Pop image as it developed over the period: Reyner Banham, The Independent Group and Pop Design; Richard Hamilton and the Tabular Image; Roy Lichtenstein and the Screened Image; Andy Warhol and the Seamy Image; Gerhard Richter and the Photogenic Image; Ed Ruscha and the Cineramic Image; and, Robert Venturi, Denise Scott Brown and the Postmodern Absorption of Pop. Works: each image is accompanied by an extended caption. This section is chronologically sequenced: Revolt into Style (1956-60) surveys the birth of Pop culture and its images, including the American Beat generation artists, photographers and filmmakers; Jasper Johns and Robert Rauschenberg, the French Decollageistes, Richard Hamilton and the 'British Pop' of the Independent Group. Consumer Culture (1960-63) chronicles American Pop's explosion, from Roy Lichtenstein's cartoon-based paintings to Claes Oldenburg's Store and Andy Warhol's Factory. Colonization of the Mind (1963-66) looks at American Pop's reception in Europe, in the work of Gerhard Richter, Sigmar Polke and others. Spectacular Time (1966-67) surveys late Pop developments, from Warhol's Silver Clouds to Malcolm Morley's Photorealism. Helter Skelter (1968) documents Pop's demise and transformation into postmodernism, in projects such as Robert Venturi and Denise Scott Brown's Learning from Las Vegas.

This book reveals the social basis for public space use, design and management. The authors - an architect/environmental designer, a landscape architect, an environmental psychologist, and an open space administrator - offer a well-integrated perspective of how to integrate public space and public life. They contend that three critical human dimensions should guide the process of design and management of public space: the users' essential needs, their spatial rights, and the meanings they seek. To develop and explain these three dimensions, the authors draw on the history of public life and public space, evidence from recent social research, and a series of original case studies, all amply illustrated. Public Space offers an innovative approach for adapting the dimensions to the unique social and environmental context of each project.

Edited by an internationally recognized expert on Pop art and culture, this book surveys Pop across all artforms and gives equal coverage to its American, British and European manifestations. which focuses on the Pop image as it developed over the period: Reyner Banham, The Independent Group and Pop Design; Richard Hamilton and the Tabular Image; Roy Lichtenstein and the Screened Image; Andy Warhol and the Seamy Image; Gerhard Richter and the Photogenic Image; Ed Ruscha and the Cineramic Image; Robert Venturi, Denise Scott Brown and the Postmodern Absorption of Pop. Style (1956-60) surveys the birth of Pop culture and its images, including the Beat generation photographs of Robert Frank and William Klein; Kenneth Anger's early films; futuristic architecture by Disneyland's 'imagineers'; artworks by Jasper Johns and Robert Rauschenberg, the French Nouveaux realistes, Richard Hamilton and the 'British Pop' of the Independent Group. Section 2: Consumer Culture (1960-63) follows American Pop's explosion, from Roy Lichtenstein's cartoon-based paintings to Andy Warhol's Factory, the hamburger, cake and ice cream sculptures of Claes Oldenburg, and Robert Indiana's Eat/Die. Section 3: Colonization of the Mind (1963-66) chronicles the era of 'high' Pop when it became a dominant international style in art, design, architecture and cinema. in art, film and architecture that coincided with the publication of Marshall McLuhan's The Medium is the Message and Guy Debord's Society of the Spectacle. Section 5: Helter Skelter (1968) traces Pop's meltdown in the late 1960s: the emergence of the vernacular in architecture, with Robert Venturi and Denise Scott Brown's Learning from Las Vegas; the spiralling mayhem of films such as Donald Cammell and Nicholas Roeg's Performance, starring Mick Jagger, and the final destructive crescendo of Michelangelo Antonioni's Zabriskie Point, as an exploding house and its contents are synched to a soundtrack by Pink Floyd. from hard-to-find, out of print sources; key writings by critics such as Reyner Banham, Donald Judd and Jonas Mekas; extracts from key contextual writings, from Jack Kerouac to articles on Pop culture.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Liver Flukes; Issue 18 Of Bulletin (Texas Agricultural Experiment Station) Mark Francis Texas Agricultural Experiment Station, 1891 Liver flukes

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Veterinary Science; Issue 30 Of Bulletin (Texas Agricultural Experiment Station) Mark Francis Texas Agricultural Experiment Station, 1894 Technology & Engineering; Agriculture; Animal Husbandry; Cattle; Livestock; Technology & Engineering / Agriculture / Animal Husbandry

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ The Cattle Tick: Biology, Preventive Measures; Issue 24 Of Bulletin (Texas Agricultural Experiment Station) Curtice, Cooper, Mark Francis Texas Agricultural Experiment Station, 1892 Cattle tick; Cattle-tick

The ideas of the English philosopher Herbert Spencer (1820-1903) profoundly shaped Victorian thought regarding evolutionary theory, the philosophy of science, sociology, and politics. In his day, Spencer's works ranked alongside those of Darwin and Marx in their importance to the development of disciplines as wide-ranging as sociology, anthropology, political theory, philosophy, and psychology. Yet during his lifetime and certainly in the decades that followed Spencer has been widely misunderstood. Both lauded and disparaged as the father of Social Darwinism (it was Spencer who coined the phrase "survival of the fittest"), and as an apologist for individualism and unrestrained capitalism, he was, in fact, none of these; he was instead a subtle and complex thinker.In his major new intellectual biography of Spencer, Mark Francis uses archival material and contemporary printed sources to create a fascinating portrait of a man who attempted to explain modern life in all its biological, psychological, and sociological forms through a unique philosophical and scientific system that bridged the gap between empiricism and metaphysics. Vastly influential in England and beyond particularly the United States and Asia his philosophy was, as Francis shows, systematic and rigorous. Despite the success he found in the realm of ideas, Spencer was an unhappy man. Francis reveals how Spencer felt permanently crippled by the Christian values he had absorbed during childhood, and was incapable of romantic love, as became clear during his relationship with the novelist George Eliot. Elegantly written, provocative, and rich in insight, Herbert Spencer and the Invention of Modern Life is an exceptional work of scholarship that not only dispels the misinformation surrounding Spencer but also illuminates the broader cultural and intellectual history of the nineteenth century."

The Village Homes neighborhood in Davis, California is one of the few long-standing examples of sustainable community design. Mark Francis has been studying Village Homes for more than two decades and brings together existing research and writing on the community, studies about the children of Village Homes he conducted throughout the 1980s, and interviews with many parties involved with the project including designers, residents, gardeners, and maintenance people. Mark Francis takes a critical look at Village Homes, addressing its failures as well as its successes, and examines the question of why, despite its success, this development has not been replicated.